dino buzzati sessanta racconti pdf to doc

Wherever Buzzati went, Sweden, Belgium or even the outskirts of Milan he used to send my dad a postcard with a sentence in Milanese dialect that said “be brave, painter!” Buzzati never really liked his style but nevertheless he kept encouraging him. I loved to hear of my dad and him hanging out in Via Solferino at the headquarters of Il Corriere della Sera or of my dad inviting him to his studio to show him some paintings he had worked on eager to get his feedback. Unfortunately they were just stories and I never had a chance to meet him. I grew up hearing stories about him, being my father (the singer Tony Dallara) a close friend of his.

In this case I was very familiar with Buzzati's work, being one of my favorite authors. I believe that the first important thing is to be familiar with the author and his/her style and language. What is the action plan when facing a text that needs to be translated and what are the main issues to tackle? Oftentimes translators do not get the attention they deserve, so here we go. This is just a chat, a few thoughts on Buzzati and translating. The latest result of this collaboration is No Escape, 4 monologues by Dino Buzzati. Since 2004, she has translated for KIT, Kairos Italy Theater, an Italian company based in New York City known for doing bilingual theater, and the two collaborated on several projects. There are people who have been able to fulfill the wishes of their childhood, and i-italy's contributing writer Natasha Lardera is one of them. This is a quote from an interview to Dino Buzzati by fellow journalist Alberico Sala, featured in the introduction to the 1966 Oscar Mondadori edition of his famous novel The Tartar Steppe.

Dino buzzati sessanta racconti pdf to doc